cover reveal/ the lost & found.

LostFound_Final Cover

HERE IT IS! The cover for my second book, The Lost & Found.

This one, guys. THIS ONE. My body is practically bursting with impatience to share this book and this story with the world. I basically tore open my chest and let my guts pour onto the page with this book (a gross visual, maybe, but fairly accurate).

It has the things I love the most. The West Coast. The East Coast. Road trips. Desert heat. Fountain pens. Tater tots. Diner food. Complaining about exercise. X-Files. Banana nut bread. Family. And everything in between.

July 5, 2016. You can preorder it on Amazon now (and in other places, soon).

I hope hope hope you love this cover (and this book!) as much as I loved writing it.





Yesterday I stood in front of my car for five full minutes, blinking blinking blinking, hoping one of those blinks would erase what I was seeing: the entirety of my windshield one splintered, broken mess. I was out of breath and dripping sweat from a run that, moments before, I had been proud of. I wasn’t proud anymore. I was only instantaneously, irrevocably crushed. If you’ll allow for a painful metaphor: my entire body felt as cracked as that fucking windshield. My spirit, my heart, my skin, my organs. Everything started shattering outward until I fell into bits on the asphalt.

Or that is what would have happened if the universe was kind. But the universe isn’t kind, it just is, and so I went inside and started calling auto repair shops and then went out and bought myself a new pair of boots. Expensive, brown, and justified by the little equation I worked out in my head (cost of new windshield = price of windshield + price of urethane kit + labor + tax + these fucking boots).

A few weeks ago Jaimee and I went to visit the Mosaic Tile House, an unreal dream abode in Venice, California. We were welcomed warmly by wife and husband team Cheri Pann and Gonzalo Duran. Gonzalo brought us out back to the studio, a huge, open white room that stretched onward an unfathomable distance. Some TARDIS-level use of space I couldn’t quite wrap my brain around. Every inch of counter space in that studio was piled with broken glass and tile, materials that Cheri will eventually use to continue her dream project of turning their house into one big art space.

She has me break them, Gonzalo explained before taking each of our phones and snapping photographs of us caught in the smashed mirrors that made up the outside wall.

Yesterday, standing in front of my car, I couldn’t help but remember the mosaics.

Yeah, fine, there’s beauty in everything. The way shattered glass catches and reflects the sunlight in a way that unshattered glass cannot. Yeah, fine. Yeah, fine.

I still wanted to break open and splinter and fall apart. I still wanted to blink everything away.


















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photographs taken at the Mosaic Tile House in Venice, California. 

ten months to go.

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The final pass of my second book arrived in the mail yesterday, in a crinkled and oversized manilla envelope that I swung back and forth on the way to my car. It’s been stiflingly hot in Santa Monica, in the high eighties every day, and I’ve gotten accustomed to not doing my hair, to sweating in weird places, to taking two quick showers a day.

The lead up to this book is, in every single way, different than that of my first. We’re still ten months out, still a long long ways away, but I feel a pressure on this book that I didn’t feel on Half Life. You have to live up to expectations! I would tell this almost-totally-done manuscript, if I could mash it into human form and bring it out to dinner. You have to exceed! You have to excel! You have to be really fucking good, OK?

Different in other ways: I remember writing my first book. I remember ten hours of work in a row, breaking for coffee and food, Milo sleeping on the back of my grey armchair. I remember the thrill of literary agents answering my emails, I remember the phone call in a Michaels in Valencia from the fierce lady who would eventually be so important to me. I remember the kitchen floor where I sank to my knees thinking damn, this moment is just like a movie, when she told me that they wanted it and that they wanted another one, too, OK, can you do that?

It took me a while to write The Lost & Found. It took moving across the country and quitting a terrible job. It took car accidents and fainting spells and hospital visits and heatwaves and true love and true heartbreak and everything in between. But when I look back on the actual writing of it, the actual pen-to-paper job of getting each word down, I draw a huge and total blank.

When did I write this book?

OK, summer of 2014. A three month period of almost solitary confinement. A shitty moment in time marked by this huge thing emerging from the tail end of it. A book! I wrote a book! But the thing is… I can’t really remember doing it.

I have one image only: of me sitting in my bed in the early morning (or maybe afternoon? Or maybe night?) with my laptop and a cup of coffee (or water? Or wine?). And writing.

Because of that lapse in memory, maybe, the creation of The Lost & Found can’t help but feel a little mysterious. And that’s fitting, I think, because the book itself is a little mysterious. There’s a teensy bit of magic. There’s a too-big coincidence. There are things that don’t quite fit.

Ten months to go, sheesh, but I think, when it’s time, you’re really gonna like this one.

lost roll.

The happiest accident in the world is misplacing a roll of film and finding it two and a half years later. A first trip to London. A first trip to Joshua Tree. A first trip to Ojai. A world in black and white and light leaks. A roll devoid of another human, so it looks a little bit like I left one side of the earth for another side of the earth and managed to do so without running into a single soul.














photographs taken in London, Ojai, and Joshua Tree National Park

east coast birthday.



I always forget just how much I like photographing my family (especially the young ones) until we’re all together and I’m following them around with my camera. I have years and years of photos, their entire childhoods captured as I see them. Sometimes they cooperate, sometimes they don’t—both scenarios offer equally interesting shots. There’s absolutely nothing I like more about photography than these documentations. The people I love, year after year, getting older but also preserved, perfectly, in time.























new new york.


An impromptu trip to New York in June (it feels like this summer is nothing except one impromptu trip to the East Coast) to visit my farthest-away niece. Family photographs and familiar places made unfamiliar with the passing of time. New museums and old museums in the span of a few quick days. At the end of this week I’ll make the trip again, this time to the farthest point, from one water to another, and not one niece this time but two.

This summer’s slipped away and lasted forever. It’s been the most productive block of time I’ve had in years. It’s been everything a summer should be. I feel the pieces falling into place—all the pieces I’ve been struggling to catch! All finally within my grasp!—and I’m trying to just to let them go where they will. I’m trying not to catch every one before it falls, examine it to death, overthink it until it’s meaningless.

An email from a friend overseas:

Do you think part of your anxiety might be panicking that everything’s so good, it feels like you’ve got a lot to lose?

I repeated this to myself that night, the next morning, all through the following week. I wrote it down and wondered how much truth there was to it. I wrapped birthday presents and tied bows and photographed a baby shower in the hills of Studio City and all the while her words bounced around in my brain until they settled down and made sense.

I haven’t written her back yet, but I will soon, and I’ll say: Yes. Yes, I think that’s exactly right. I think you’re exactly right. Thank you for putting it into words.

















what comes next.

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Yesterday my car was struck in a hit & run, two weeks ago my cat had surgery from which he may or may not recover, and today I finished a read-through of a first draft of a new book and sent it to my agent.

It’s weird, isn’t it, the patterns of anxiety, the slow creep of stress. Sometimes you dodge it and sometimes you don’t. Sometimes you have a pretty good Greek salad for lunch and you think, OK. I can do this. I can handle this and whatever else.

Sometimes you just know you’ll be fine in a little while. Give or take whatever may come next.

one year since.




Last year today we were going out to dinner to celebrate the release of my first book, The Half Life of Molly Pierce and today the morning is grey and I am working on a new book, one without a title, one almost done after weeks of doing nothing else but writing- until I feel like my brain is filled with sludge.

It’s been an absolute joy to be back in this place again, this swamp of writing, pulling weeds up to find a spot of dry land firm enough to sit down with my computer. That is exactly what it feels like. I’ve been moody, tired, sleepless, messy, unkempt. I’ve been inspired by something I have yet to name. I’ve been dreaming of a vacation in the middle of the desert when I’m done, a reward, just me and the first read-through after the first draft, which can reveal so many things. Oh, this is good! or Oh my, what was I thinking.

My two year anniversary of moving to Los Angeles passed recently and of course now I love it here, of course now when I leave and come back, my plane dipping over neighborhoods spreading and multiplying for miles and miles, I feel relaxed. I feel at home. I feel like all the decisions I made, so long ago and so far away, were the right ones.

My next book will come out in one year, give or take. The Lost & Found. I wrote it here, at this desk, on this blue chair, with this stained coffee mug next to my laptop. I wrote it in one summer, a summer where everything changed rapidly and I felt truly depressed again for the first time in years. It comes and goes like it’s always come and gone, a sense of hopelessness and whatthefuckamidoing and why why why whywhy.

I’ve written 36,000 words in fourteen days. I can’t remember the last time I felt this tired. Or this happy. Or this tired.






great room.



Sometimes, waking early before the others, wandering the rooms wrapped in a blanket or drinking my tea in the empty kitchen, I had that most rare of feelings, the sense that the world, so consistently overwhelming and incomprehensible, in fact has an order, oblique as it may seem, and I a place within it. 



photographs taken in Long Beach, California

text from Great Room by Nicole Krauss

new headshot.

new headshot, new book, new ‘tude.

I worked so hard on my second book (a new standalone) and couldn’t be happier that it’s been accepted for publication. Summer ’16! Many more details to come, but for now here’s my new headshot. Feels good to have a little update. Photo cred: Jaimee Dormer